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Using underline can give as much attention as using bold, however, it also adds a significant amount of noise to the text and overall design. Therefore you should think hard about how much noise you want to add to your design before deciding to use underline as your highlight method. One method is by using UPPERCASE which works well, especially when highlighting a single word preferably short. When uppercasing multiple consecutive words the sentence immediately gets very difficult to read. You should be aware that uppercase is also often interpreted as being yelled hence it can come off as aggressive. Another method is to change font family entirely. This approach can work well if you change the font of an entire headline. For highlighting words or sentences inside a text this method is difficult to use, as the right balance between detectability and not hurting the overall aesthetics is hard to achieve. One way is by changing the font color itself. This increases the detectability, especially on text centric sites, where there are few colors or other graphical elements in close proximity to the text. The downside of changing font color is the same as with italic: it reduces the contrast compared to black text on a white background, and therefore makes it harder to read.
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The backlash was swift, prompting a de facto apology from him. But by that point, the damage was done. All of this took a toll on both the companys financial picture its revenue came in about $44 million lower than analysts expected in the first quarter and its stock price, which slumped to as low as $36 a share from its peak of $78 before recovering in 2014. The quantities are much smaller, said Anne Charlotte Windal, a senior analyst at Sanford C. Bernstein. Its an indication management learned from its mistakes and is being more responsive to potential perceived quality problems, said Paul Alexander, a senior analyst at BBandT Capital Markets.
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With the addition of this new, safer vaulting table, gymnasts are attempting more difficult and dangerous vaults. On the uneven bars, the gymnast performs a timed routine on two horizontal bars set at different heights. These bars are made of fiberglass covered in wood laminate, to prevent them from breaking. In the past, bars were made of wood, but the bars were prone to breaking, providing an incentive to switch to newer technologies. The width and height of the bars may be adjusted to the size needed by individual gymnasts. In the past, the uneven parallel bars were closer together. The bars have been moved increasingly further apart, allowing gymnasts to perform swinging, circling, transitional, and release moves that may pass over, under, and between the two bars. At the Elite level, movements must pass through the handstand. Gymnasts often mount the uneven bars using a springboard or a small mat. Chalk and grips a leather strip with holes for fingers to protect hands and improve performance may be used by gymnasts performing this event. The chalk helps take the moisture out of gymnasts' hands to decrease friction and prevent rips tears to the skin of the hands; dowel grips help gymnasts grip the bar.
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There exists no dogmatic moral or ethical code followed universally by Wiccans of all traditions, however a majority follow a code known as the Wiccan Rede, which states an it harm none, do what ye will. This is usually interpreted as a declaration of the freedom to act, along with the necessity of taking responsibility for what follows from ones actions and minimising harm to oneself and others. Another common element of Wiccan morality is the Law of Threefold Return which holds that whatever benevolent or malevolent actions a person performs will return to that person with triple force, or with equal force on each of the three levels of body, mind and spirit, similar to the eastern idea of karma. The Wiccan Rede was most likely introduced into Wicca by Gerald Gardner and formalised publicly by Doreen Valiente, one of his High Priestesses. The Threefold Law was an interpretation of Wiccan ideas and ritual, made by Monique Wilson and further popularised by Raymond Buckland, in his books on Wicca. Many Wiccans also seek to cultivate a set of eight virtues mentioned in Doreen Valientes Charge of the Goddess, these being mirth, reverence, honour, humility, strength, beauty, power, and compassion. In Valientes poem, they are ordered in pairs of complementary opposites, reflecting a dualism that is common throughout Wiccan philosophy. Some lineaged Wiccans also observe a set of Wiccan Laws, commonly called the Craft Laws or Ardanes, 30 of which exist in the Gardnerian tradition and 161 of which are in the Alexandrian tradition. Valiente, one of Gardners original High Priestesses, argued that the first thirty of these rules were most likely invented by Gerald Gardner himself in mock archaic language as the by product of inner conflict within his Bricket Wood coven the others were later additions made by Alex Sanders during the 1960s. In British Traditional Wicca, complementarity is a basic and fundamental working principle, with men and women being seen as a necessary presence to balance each other out. This may have derived from Gardners interpretation of Murrays claim that the ancient witch cult was a fertility religion.